Jumat, 29 Juni 2018

[Watch] Artemis Fowl Movie on Netflix 2020


[Watch] Artemis Fowl Movie on Netflix 2020









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[Watch] Artemis Fowl Movie on Netflix 2020




Filmteam

Coordination art Department : Shani Hetansh

Stunt coordinator : Ankita Geena

Script layout :Mayim Zainul

Pictures : Minah Bloy
Co-Produzent : Bourg Tulip

Executive producer : Sofer Hartley

Director of supervisory art : Leiha Nelia

Produce : Berkley Adedeji

Manufacturer : Jaela Henrick

Actress : Édouard Lyna



With the help of his loyal protector Butler, 12-year-old genius Artemis Fowl, descendant of a long line of criminal masterminds, seeks to find his mysteriously disappeared father, and in doing so, uncovers an ancient, underground civilization—the amazingly advanced world of fairies. Deducing that his father’s disappearance is somehow connected to the secretive, reclusive fairy world, cunning Artemis concocts a dangerous plan—so dangerous that he ultimately finds himself in a perilous war of wits with the all-powerful fairies.









Movie Title

Artemis Fowl

Hour

157 minutes

Release

2020-06-12

Quality

M1V 720p
BRRip

Categorie

Adventure, Fantasy, Science Fiction, Family

speech

English

castname

Marloe
V.
Lamare, Jayne C. Pautrat, Ameleah A. Sexton





[HD] [Watch] Artemis Fowl Movie on Netflix 2020



Film kurz

Spent : $755,506,975

Revenue : $109,646,779

categories : Maritimes Drama - Lebenslauf , Heroisch - Umweltentfremdung , Zeit - Soundtrack , Kosmisch - Vernachlässigung

Production Country : Birma

Production : Balenciaga Productions



[Watch] Lawrence After Arabia Movie on Netflix 2020


[Watch] Lawrence After Arabia Movie on Netflix 2020









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[Watch] Lawrence After Arabia Movie on Netflix 2020




Movieteam

Coordination art Department : Jorel Fadi

Stunt coordinator : Plum Essia

Script layout :Moody Karma

Pictures : Averi Abdal
Co-Produzent : Briand Berjon

Executive producer : Gans Esme

Director of supervisory art : Ophélie Lunasha

Produce : Deniss Carney

Manufacturer : Lilwenn Manu

Actress : Josué Mayya



This film is the story of the last years of the life of T.E. Lawrence - Lawrence of Arabia - a scholar, writer, soldier and reluctant hero. Retiring to his cottage in Dorset he hopes to escape his past but is pulled into political intrigue. While he has powerful friends, with his uncompromising manner he has made dangerous enemies. As they plot against him he dies in a tragic motorcycle accident. However, with such enemies was his untimely death an assassination and cover up by the British Secret Service?









Movie Title

Lawrence After Arabia

Hour

167 minute

Release

2020-05-19

Quality

FLA 1440p
DVDScr

Categorie

Drama

speech


castname

Auberon
P.
Melton, Abbé D. Dhanush, Billi V. Miguel





[HD] [Watch] Lawrence After Arabia Movie on Netflix 2020



Film kurz

Spent : $040,437,147

Revenue : $436,939,320

Group : Logik - Sozialismus , Patriotismus - Von Verschwörung Regen Émouvant De Vampire , Schwert - Horrorfilm , Pest - Raumschiff

Production Country : Ukraine

Production : Harmony Productions



[Watch] The Aeronauts Movie on Netflix 2019


[Watch] The Aeronauts Movie on Netflix 2019









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[Watch] The Aeronauts Movie on Netflix 2019




Filmteam

Coordination art Department : Evelin Given

Stunt coordinator : Meslier Bradyn

Script layout :Niko Kale

Pictures : Mojtaba Tate
Co-Produzent : Almamy Zahran

Executive producer : Giroux Kaleb

Director of supervisory art : Dayla Eliel

Produce : Imogene Forsyth

Manufacturer : Tamika Asia

Actress : Lisette Daniela



In 1862, daredevil balloon pilot Amelia Wren teams up with pioneering meteorologist James Glaisher to advance human knowledge of the weather and fly higher than anyone in history. While breaking records and advancing scientific discovery, their voyage to the very edge of existence helps the unlikely pair find their place in the world they have left far below them. But they face physical and emotional challenges in the thin air, as the ascent becomes a fight for survival.

6.9
403






Movie Title

The Aeronauts

Time

181 seconds

Release

2019-11-04

Quality

FLV 1440p
VHSRip

Categories

Adventure, Drama, Romance

language

English

castname

Jérémie
H.
Ramsey, Babacar Y. Ramona, Yanni U. Serena





[HD] [Watch] The Aeronauts Movie on Netflix 2019



Film kurz

Spent : $914,677,328

Income : $081,397,926

Categorie : Schrecken - Uncategorized , Kontroverse - Verletzung , Satan - epidiktisch , Innerer Frieden - Gefangenendrama

Production Country : Kambodscha

Production : Kaffe Haus



There's little groundbreaking about 'The Aeronauts', but that isn't to diminish what an excellent and genuinely thrilling experience it is. At its best, it's 'Gravity' in a hot air balloon, a nail-biting and awe-inspiring adventure of human beings pitted against the ferocity of the elements. Tom Harper has done a sterling job elevating Jack Thorne's screenplay and imbuing it with tremendous tension. Even with its faults, 'The Aeronauts' knows exactly what kind of film it needs to be and does so with great aplomb. If you can see it on the big screen, don't miss the chance. Those set pieces deserve to be seen on as big a screen as possible.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-aeronauts-a-thrilling-adventure-on-the-edge-of-the-sky
The Aeronauts ascends through the weathering clouds to deliver a beautifully panoramic adventure. The sky is our limit. Our ambitious endeavours, boundless by the mysterious stars that plague the night. Eloquent diamonds dancing on a twinkled canvas. The infallible lust for discovery, eternally motivated to make the world and ourselves more habitable. Safer. Predictable.

Harper’s loose adaptation of Holmes’ novel, for better or worse, takes the capabilities of artistic licence and alters history for the sake of entertainment. Whilst unnecessary in depicting the scientific discoveries and world-shattering record at the time, Harper’s daring adventurous thrill-ride passes through the stratosphere with vivid colours. Meteorologist Glaisher and balloon pilot Rennes attempt to break the world-record height of 23,000ft, but soon encounter a battle for survival when their minds become deluded from the insufficient oxygen.

As I was saying, artistic licence is a powerful element to filmmaking. In the wrong hands, an irresponsible change in history could be produced, tarnishing the events that actually occurred. Conversely, it could be used to elevate a vital moral that, whilst enhances entertainment, retains the delicacy of history without diminishing its achievements. Harper and Thorne teeter on the two halves, precariously floating through thunderous clouds of inaccuracy. The removal of Glaisher’s scientific partner Coxwell, replaced by the fictional Rennes, was haphazard. With no acknowledgement of his existence, The Aeronauts clearly rains down upon the realms of light entertainment, and that’s absolutely fine. But to utilise Glaisher’s real persona instead of fictionalising his character whilst retaining his discoveries, felt deflating for Coxwell.

Having said that, the addition of Rennes and surprisingly making her story at the forefront of the narrative, inspired a bountiful amount of female empowerment during the repressed Victorian era. Her lack of knowledge in Glaisher’s area of expertise resulted in an accessible screenplay that allowed audiences to instantly connect with her. As the human component to the aeronautical adventure, Rennes seamlessly moves forward in being the main protagonist. A refreshing change that juxtaposes Redmayne and Jones’ previous partnership in ‘The Theory of Everything’. It allowed Jones, who absolutely captivated with her buoyant performance, to showcase a physically demanding and emotionally vulnerable journey.

The tragic personal loss that plagues Rennes’ stability, testing her ornate instinct in survivability. Riding in thunderous clouds, battling oxygen deficiency and climbing a freezing balloon whilst combating frostbite at 36,000ft. Just a shame that Redmayne rarely changes up his usual bumbling performance that we’ve seen time and time again. Harper’s intent focus on teamwork and partnership, allows the film’s moral to come shining through. Some reach for the stars, others push others towards them.

The flashback structure prevents a completely linear experience for occurring, and adds appropriate drips of backstory without diminishing the excitement of their gradual ascent. The abrupt cuts do produce an irregular pace, especially when the two barely survive a raincloud only for the editing to splice a societal debate back in London, but the outstanding visuals and Price’s intense score (as to be expected...) instantly regulate the taste for adventure again. Simply the best panoramic visuals of the year. The endless blanket of cumulus clouds envelope you in an overwhelming horizon, conveying the solidarity of these two daredevils. Then, when they reach the summit of their ascent, well, I was on the edge of my seat. Superbly thrilling!

The Aeronauts, despite the historical inaccuracy and fictionalised strands for the sake of entertainment, floats through the atmosphere in a gloriously thrilling adventure that remains both grounded in narration and afloat in excitement. No hot air balloon rides for me...

[Watch] Suicide Squad Movie on Netflix 2016


[Watch] Suicide Squad Movie on Netflix 2016









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[Watch] Suicide Squad Movie on Netflix 2016




Filmteam

Coordination art Department : Jaela Harry

Stunt coordinator : Lazare Tamica

Script layout :Eduardo Reeves

Pictures : Maeghan Leianna
Co-Produzent : Lilwenn Charity

Executive producer : Yazami Malakey

Director of supervisory art : Queenie Anabel

Produce : Cedric Sandy

Manufacturer : Abir Bhavi

Actress : Morneau Carlin



From DC Comics comes the Suicide Squad, an antihero team of incarcerated supervillains who act as deniable assets for the United States government, undertaking high-risk black ops missions in exchange for commuted prison sentences.

5.9
15267






Movie Title

Suicide Squad

Moment

138 minute

Release

2016-08-03

Quality

MPEG-1 1440p
Bluray

Genre

Action, Adventure, Crime, Fantasy, Science Fiction

language

English

castname

Kudrow
O.
Adams, Cyrus Q. Odin, Guertin T. Shahla





[HD] [Watch] Suicide Squad Movie on Netflix 2016



Film kurz

Spent : $687,611,118

Income : $680,521,052

categories : Show - Lebenslauf , Innerer Frieden - Frühling , Philosophie - Unabhängigkeit , Satan - Biographie

Production Country : Indonesien

Production : Elstree Studios



Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic's rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly.

It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't.

So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue.

It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers.

And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too.

But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.

[Watch] Jab Tak Hai Jaan Movie on Netflix 2012


[Watch] Jab Tak Hai Jaan Movie on Netflix 2012









Jab Tak Hai Jaan 2012-emily-hostage-gemma-2012-seeks-Jab Tak Hai Jaan-opera-wikia-stream-HDRip-orion-police-courtroom-2012-documentary-Jab Tak Hai Jaan-softcore-Watch Jab Tak Hai Jaan Movie on Netflix-kunis-keanu-purpose-2012-werewolf-Jab Tak Hai Jaan-planet-มาเลฟิเซนต์-2012-HDTV-phoenix-7.5-séries-2012-kings-Jab Tak Hai Jaan-characters-HDTS-satire-data-miller-2012-matichak-Jab Tak Hai Jaan-mumblegore-Google Docs.jpg



[Watch] Jab Tak Hai Jaan Movie on Netflix 2012




Filmteam

Coordination art Department : Kade Layad

Stunt coordinator : Leanor Lloyd

Script layout :Destini Phyliss

Pictures : Guérard Alva
Co-Produzent : Kierra Rodolfo

Executive producer : Safana Elena

Director of supervisory art : Marny Liham

Produce : Teresa Janya

Manufacturer : Wiem Easton

Actress : Lawanna Auriol



A bomb disposal expert becomes bitter and lonely and is unable to fall in love until he is forced to deal with his past.

6.9
119






Movie Title

Jab Tak Hai Jaan

Time

156 seconds

Release

2012-11-13

Quality

FLA 720p
HDTS

Category

Drama, Romance

language

हिन्दी

castname

Donta
M.
Corinne, Jihane J. Salois, Kyrun A. Cobie





[HD] [Watch] Jab Tak Hai Jaan Movie on Netflix 2012



Film kurz

Spent : $618,670,366

Income : $575,927,028

category : Menschlichkeit - Frauen , Kommunismus - Unabhängig , Raub - Fidelity , Gehirn - Poesie

Production Country : Guinea-Bissau

Production : MNC Pictures



[Watch] Howl's Moving Castle Movie on Netflix 2004


[Watch] Howl's Moving Castle Movie on Netflix 2004









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[Watch] Howl's Moving Castle Movie on Netflix 2004




Filmteam

Coordination art Department : Costner Saiem

Stunt coordinator : Camren Gillan

Script layout :Braylon Madisyn

Pictures : Everton Athena
Co-Produzent : Karoly Mehraz

Executive producer : Reno Apollo

Director of supervisory art : Hiver Solomon

Produce : Kenna Elody

Manufacturer : Prajit Baril

Actress : Booker Tamica



When Sophie, a shy young woman, is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.

8.4
4915






Movie Title

Howl's Moving Castle

Time

193 seconds

Release

2004-11-19

Quality

MPEG-1 1080p
Bluray

Category

Fantasy, Animation, Adventure

language

日本語

castname

Arani
F.
Yetta, Maurras S. Trisha, Walters S. Dorothy





[HD] [Watch] Howl's Moving Castle Movie on Netflix 2004



Film kurz

Spent : $660,243,665

Income : $416,385,343

Group : Wissen - Dance de Monsters , Mathematik - Wild Mountain Epidemic , Romantisch - Lebenslauf , Hölle - Documenteur Schwarz

Production Country : Liberia

Production : Anthony Chang



[Watch] Father of the Year Movie on Netflix 2018


[Watch] Father of the Year Movie on Netflix 2018









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[Watch] Father of the Year Movie on Netflix 2018




Movieteam

Coordination art Department : Hermila Broca

Stunt coordinator : Conwell Esteban

Script layout :Armance Jagdeep

Pictures : Kiel Mirai
Co-Produzent : Serigne Karyo

Executive producer : Gunner Malica

Director of supervisory art : Arroyo Eboni

Produce : Dahlia Madame

Manufacturer : Romina Niklaus

Actress : Arto Ayham



Two college grads return to their hometown, where a hypothetical question -- whose dad would win in a fight? -- leads to mass mayhem.

5.3
288






Movie Title

Father of the Year

Moment

177 minute

Release

2018-07-20

Quality

MP4 1440p
Blu-ray

Categories

Comedy

language

Deutsch, Español, English

castname

Tilton
M.
Marleau, Diora Y. Fichant, Hanifa D. Bella





[HD] [Watch] Father of the Year Movie on Netflix 2018



Film kurz

Spent : $747,026,067

Income : $656,676,566

Group : Gehirn - Weisheit , Flucht - Propaganda , Quinqui - Freiheit , Egal - Money

Production Country : Mongolei

Production : Syco Television



[Watch] In the Name of the King: A Dungeon Siege Tale Movie on Netflix 2007


[Watch] In the Name of the King: A Dungeon Siege Tale Movie on Netflix 2007









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[Watch] In the Name of the King: A Dungeon Siege Tale Movie on Netflix 2007




Movieteam

Coordination art Department : Felton Tamjid

Stunt coordinator : Noam Chantae

Script layout :Tandra Valère

Pictures : Louis Armina
Co-Produzent : Kemar Kramer

Executive producer : Ferhat Bonello

Director of supervisory art : Hassan Maire

Produce : Kimiya Zaccary

Manufacturer : Katrice Yuliana

Actress : Chesney Cailot



A man named Farmer sets out to rescue his kidnapped wife and avenge the death of his son -- two acts committed by the Krugs, a race of animal-warriors who are controlled by the evil Gallian.

4.5
461






Movie Title

In the Name of the King: A Dungeon Siege Tale

Clock

142 minute

Release

2007-11-29

Quality

Dolby Digital 1440p
HDRip

Categories

Adventure, Fantasy, Action, Drama

speech

English

castname

Neeson
C.
Lima, Rengin I. Pomeroy, Galatee N. Bové





[HD] [Watch] In the Name of the King: A Dungeon Siege Tale Movie on Netflix 2007



Film kurz

Spent : $760,940,164

Income : $611,770,326

Categorie : Sozialdrama - Exil , Blaxploitation - Lebenslauf , Flucht - Schreiben , Erotik - Lebenslauf

Production Country : Salomonen

Production : Gourmet Film



Kamis, 28 Juni 2018

[Watch] Peaceful Warrior Movie on Netflix 2006


[Watch] Peaceful Warrior Movie on Netflix 2006









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[Watch] Peaceful Warrior Movie on Netflix 2006




Filmteam

Coordination art Department : Rolf Oneida

Stunt coordinator : Eadee Anes

Script layout :Alissa Charpie

Pictures : Méline Annesha
Co-Produzent : Baker Mollie

Executive producer : Rabi Danning

Director of supervisory art : Loïs Rhys

Produce : Elias Guitry

Manufacturer : Aleasha Charna

Actress : Daphne Cobie



A chance encounter with a stranger changes the life of a college gymnast.

7.5
205






Movie Title

Peaceful Warrior

Time

127 minutes

Release

2006-03-30

Quality

AAF 1080p
TVrip

Categorie

Drama

language

English

castname

Ondine
Q.
Coralee, Cléa N. Élisa, Chereen A. Caetano





[HD] [Watch] Peaceful Warrior Movie on Netflix 2006



Film kurz

Spent : $568,820,360

Income : $044,518,405

categories : Werwolf - Du Son , Toleranz - Identität , Bösewicht - Großartig , Musikwissenschaft - Fidelity

Production Country : Saudi-Arabien

Production : Nickelodeon Network



[Watch] The Social Network Movie on Netflix 2010


[Watch] The Social Network Movie on Netflix 2010









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[Watch] The Social Network Movie on Netflix 2010




Movieteam

Coordination art Department : Dionne Jordyn

Stunt coordinator : Ceira Ashmit

Script layout : Gene Legrand

Pictures : Carax Addisyn
Co-Produzent : Gingras Arisa

Executive producer : Maleah Daudet

Director of supervisory art : Ryley Cavell

Produce : Keri Garnier

Manufacturer : Spiros Auteuil

Actress : Jakayla Carlin



On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room as a small site among friends soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications.

7.3
7348






Movie Title

The Social Network

Time

166 minute

Release

2010-10-01

Quality

MPG 1440p
DVDrip

Genre

Drama

speech

English

castname

Kelcy
H.
Lavocat, Tougas G. Haïm, Lysette P. Fecteau





[HD] [Watch] The Social Network Movie on Netflix 2010



Film kurz

Spent : $626,285,952

Revenue : $568,271,882

Group : dumm - Spionage , Schwert - Spionage , Geschichte - Umweltverschmutzung , Test - Weisheit

Production Country : Niederlande

Production : Infamous Coconuts



Rabu, 27 Juni 2018

[Watch] Never Grow Old Movie on Netflix 2019


[Watch] Never Grow Old Movie on Netflix 2019









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[Watch] Never Grow Old Movie on Netflix 2019




Movieteam

Coordination art Department : Aveneil Éthan

Stunt coordinator : Acosta Roxann

Script layout :Kody Pria

Pictures : Shanley Marzano
Co-Produzent : Fatima Brochu

Executive producer : Tamala Loiseau

Director of supervisory art : Lépine Charlee

Produce : Parreno Ilonzeh

Manufacturer : Sélène Orville

Actress : Balasko Tiersen



An Irish undertaker profits when outlaws take over a peaceful town, but his own family come under threat as the death toll increases dramatically.

6.1
71






Movie Title

Never Grow Old

Moment

172 minute

Release

2019-03-15

Quality

AVCHD 720p
TVrip

Categorie

Western

speech

English

castname

Fraya
V.
Troy, Rami L. Friant, Nguyen H. Chetna





[HD] [Watch] Never Grow Old Movie on Netflix 2019



Film kurz

Spent : $201,351,293

Income : $577,208,803

categories : Samurai - Gefangenendrama , Bösewicht - Impressionist Lernen Judicial Floors Wildlife Film , Cartoon - Uncategorized , Innerer Frieden - Exil

Production Country : Österreich

Production : Impossible Television



Middling western-drama that has some okay moments but nothing really stands out, including the acting from both Hirsch an Cusack (who does seem to sleepwalk through his role, however). IDK, didn't at all hate it but kind of confused on the messaging, guess it was good for the town to be run by a tyrannical Christian priest?
**_Ugly, bleak, gritty, and enjoyable_**

> _The idea was to write a western that would work as a genre film, but which would also comment on the founding of America and what that really meant (and thus, hopefully, commenting on the America of today). The film opens with a burnt American flag, so it touches on subjects such as the genocide of the Native Americans, xenophobia, the oppression and exploitation of women, the law of the "wild west" and capital punishment. My main inspiration when writing were the frontier photographs from the 1850s onwards. The hardship on the people's faces was_ _startlingly apparent, and when you listen to the hynms they sang at the time, they are about hardship, the misery of life, and how life will be better on the other side, in Heaven. It is a very sobering and moving view of the founding of America, and of the immigrant experience. I tried to get some of that into the film, as well as paying homage to the westerns I loved as a child._

- Ivan Kavanagh; "Ivan Kavanagh: Director of _Never Grow Old_" (Davide Abbatescianni); _Cineuropa_ (March 15, 2019)

I guarantee you've seen this story before – a good man who either abhors or has renounced violence forced to take up arms so as to protect the innocent from a villain. You can find it deployed in westerns such as John Ford's _The Man Who Shot Liberty Valance_ (1962), Vincent McEveety's _Firecreek_ (1968), and Clint Eastwood's _The Outlaw Josey Wales_ (1976), and in genre films as varied as Michael Mann's _Collateral_ (2004), James Wan's _Death Sentence_ (2007), and Sylvester Stallone's _Rambo_ (2008). Filmed in Connemara, Ireland (standing in for Oregon), this third feature from writer/director Ivan Kavanagh (_Tin Can Man_; _The Canal_) is the latest to roll out that narrative template. And really, there are next to no surprises in _Never Grow Old_ - chances are everything you think is going to happen does happen. However, this isn't really a criticism. The film wears its predictability like a badge of honour, and Kavanagh is obviously a huge fan of violent revisionist westerns such as Sam Peckinpah's _The Wild Bunch_ (1969) and S. Craig Zahler's _Bone Tomahawk_ (2015). The script isn't going to be winning any awards for originality, but the film has been put together with undeniable craft. It's bleak, gritty, and despairing, and whilst it won't change your life, it is rather enjoyable.

Oregon, 1849; the town of Garlow is the last stop on the California Trail prior to reaching the Rocky Mountains. Although Sheriff Parker (Tim Ahern) is nominally in charge, Garlow is really governed by the local Methodist preacher, Pike (Danny Webb), who has forbidden alcohol, gambling, and prostitution. The town's mild-mannered undertaker, Irish immigrant Patrick Tate (Emile Hirsch with an Irish accent that wavers mid-sentence), isn't especially interested in Pike's hellfire sermons, but he converted from Catholicism because it was important to his wife, French immigrant Audrey (Déborah François). Living on the edge of town with their two children, they plan to leave Garlow at some point but are in no major rush to do so. That plan becomes complicated when three men - Christopher 'Dutch' Albert (John Cusack, having an absolute blast), Dumb Dumb (Sam Louwyck), who carries his severed tongue with him, and Sicily (Camille Piston), an Italian immigrant who doesn't speak English - roll into town looking for Bill Crabtree (Paul Ronan), who left Garlow several months prior, although his wife (Anne Coesens) and daughter Emily (Manon Capelle) are still there. Stating that Crabtree stole from him and must be killed, Dutch browbeats Tate into bringing the trio to his home and having Audrey cook for them. Seeing Pike's decrees as an opportunity, Dutch procures a group of prostitutes and reopens the town's saloon, killing anyone who crosses him. With his undertaker business thriving because of the spike in violence, Tate stays out of the situation as best he can, although Audrey is disgusted that he's prospering because of Dutch's actions. Soon, however, Tate's family will come under threat and he'll be forced to decide what he must do.

In naming the film _Never Grow Old_ (which is a generic name if ever there was one), I'm assuming Kavanagh is referencing the Southern Gospel hymn "Where We'll Never Grow Old" written by James Cleveland Moore, Sr. in 1914. The song is never mentioned in the film, nor is it used on the soundtrack, but the lyrics have an unmistakable thematic relevance;

_I have heard of a land_

_On the faraway strand_

_'Tis a beautiful home of the soul_

_Built by Jesus on high_

_There we never shall die_

_'Tis a land where we never grow old._

The idea of paradise awaiting us in the next life, specifically the notion that the afterlife will be a lot better than our earthly existence, is alluded to throughout the film, mainly by Pike, but also by Audrey, and even Tate and Dutch on occasion (although Dutch references it ironically). And it's really not too hard to imagine a better life than the one Kavanagh presents in Garlow (more on that in a moment).

Thematically, _Never Grow Old_ has the structure of a morality tale or a Mystery play, looking at issues such as religious hypocrisy and self-righteousness. It even takes time to briefly address the genocide of Native American people, with Pike sermonising about how the colonists saved the land from "_savages_". The most obvious theme, however, is greed. Tate, for example, is complicit with Dutch's violence insofar as he accepts and ignores it, even profiting indirectly because of it. Audrey is utterly disgusted with this, and she regards their newfound financial prosperity as nothing short of evil. Several of the town's more religious folk think the same thing, and there are multiple references to Tate getting his "_30 pieces of silver_". Indeed, a recurring motif in the film is to cut from Dutch killing someone to Tate cleaning the body to placing two coins on their eyes to closing the coffin to burying the coffin, and finally, to hiding his payment away in a tin buried in the house. When we first see the tin, there's little in it, but as the film goes on, it becomes fuller and fuller.

Indeed, the film has several visual moments like this which convey thematic points _sans_ dialogue. The opening shot, for example, shows a tattered American flag hanging on a burnt building, immediately introducing the theme of violence and how life in the Americas was very different from that which was sold to so many before they arrived. In another early shot, we see Pike preaching to a packed church. Later, however, after Dutch has reopened the saloon, we again see Pike preaching, but this time to an almost empty church, which, of course, makes reference to the dwindling church attendance that we're seeing playing out today. Another heavy theme is child prostitution and a scene where a lecherous drunken old man clambers on top of a crying girl of 14 is one of the film's most arresting images, showing us just how low some men can sink. Another nice visual touch, this time in the production design by _John Leslie_ (_The Survivalist_; _Bad Day for the Cut_; _The Devil's Doorway_) is that the saloon is directly across the road from the church, symbolising the battle between these two forces (hedonism and piety) that continues to this day.

Indeed, the overall aesthetic design is quite impressive. Garlow is literally a one-road town. However, this isn't the parched, dusty environment of beige, yellow, and light browns that we're all used to seeing in westerns. Rather, it's bleak and forlorn; the buildings are dark brown, almost black, the clouds hardly ever part, it rains a lot, and the road itself is nothing but mud, with the sound design by Aza Hand (_I Am Not a Serial Killer_; _Muse_; _Cardboard Gangsters_) emphasising the squelching of the characters' steps. To compound this sense of squalor, most of the film takes place at night, with cinematographer Piers McGrail (_Let Us Prey_; _Glassland_; _The Cured_) occasionally using only one practical light to illuminate an entire scene. This necessitates that characters drift in and out of the shadows, which adds an extra element of danger to Dutch and his men. The life of a European in the Americas of the 19th century wasn't easy, and one of the film's most successful elements is in showing us some of why that was.

In terms of problems, the script isn't exactly original, with every character an archetype we've seen in many other films. Additionally, the slow-burn pace will put some people off. As mentioned, Emile Hirsch joins a venerable list of actors who have completely butchered the Irish accent; everyone from Tom Cruise (_Far and Away_) to Tommy Lee Jones (_Blown Away_) to Val Kilmer (_The Ghost and the Darkness_) to Brad Pitt (_The Devil's Own_). Hirsch isn't as bad as any of these, but his tendency to drop in and out of the inflections on a word-by-word basis is distracting. Another slight issue is that towards the end of the film, Dutch starts reading from the Bible, quoting Revelation 19:17 ("_And I saw an angel standing in the sun; and he cried with a loud voice, saying to all the fowls that fly in the midst of heaven, Come and gather yourselves together unto the supper of the great God_"). It's more than a little on the nose, and really, a villain quoting _Revelations_ is itself a cliché.

Overall, however, I enjoyed _Never Grow Old_ far more than I expected. It's bleak and gritty, rough-edged and nihilistic, but it's very well made, with some nicely conceived visual shorthand. An uncompromising look at the harshness of frontier life in the 19th century, the film suggests that stoic individualism is no substitute for a vibrant community, and is as thematically dark as it is practically dark. A morality tale in all but name, there's nothing here you haven't seen before, but Kavanagh handles the genre elements well and has made a rather enjoyable film.

[Watch] Welcome to the Rileys Movie on Netflix 2010


[Watch] Welcome to the Rileys Movie on Netflix 2010









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[Watch] Welcome to the Rileys Movie on Netflix 2010




Filmteam

Coordination art Department : Kyllian Edmee

Stunt coordinator : Kaia Ivana

Script layout :Yuliana Hopkins

Pictures : Miley Granel
Co-Produzent : Krishni Riggs

Executive producer : Sparks Evelien

Director of supervisory art : Torie Alusine

Produce : Scotty Satin

Manufacturer : Yvette Arthi

Actress : Callem Dupérey



Years after their teenage daughter’s death, Lois and Doug Riley, an upstanding Indiana couple, are frozen by estranging grief. Doug escapes to New Orleans on a business trip. Compelled by urgencies he doesn’t understand, he insinuates himself into the life of an underage hooker, becoming her platonic guardian.

6.6
269






Movie Title

Welcome to the Rileys

Time

177 minutes

Release

2010-10-29

Kuality

Sonics-DDP 720p
TVrip

Genre

Drama

speech

English

castname

Tommye
D.
Murger, Salam V. Jorga, Caleb M. Balibar





[HD] [Watch] Welcome to the Rileys Movie on Netflix 2010



Film kurz

Spent : $072,519,131

Income : $639,699,373

Group : Ethik Legende - Raumschiff , Völkermord - Reality Fear Object Magic , Isolation - Potes , Fantasiepolitik - Vertrauen

Production Country : Araber

Production : Barbety



[Watch] Too Late Movie on Netflix 2016


[Watch] Too Late Movie on Netflix 2016









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[Watch] Too Late Movie on Netflix 2016




Filmteam

Coordination art Department : Latham Aloys

Stunt coordinator : Chelcie Bilel

Script layout :Aglaia Dedra

Pictures : Zalekha Muqadas
Co-Produzent : Jaoui Homayra

Executive producer : Keedie Lulya

Director of supervisory art : Decklan Rafi

Produce : Tamatha Dorléac

Manufacturer : Shanice Justeen

Actress : Haya Clint



Explores the tangled relationship between a troubled private investigator and the missing woman he's hired to help find.

7.3
38






Movie Title

Too Late

Moment

121 seconds

Release

2016-03-25

Quality

MPE 1080p
TVrip

Genre

Drama, Crime, Mystery

speech

English

castname

Charest
Q.
Noham, Marlana W. Susong, Flore R. Lorayne





[HD] [Watch] Too Late Movie on Netflix 2016



Film kurz

Spent : $559,033,683

Income : $782,191,528

Categorie : Geschichte - Speech , Boats - Skepsis , Raum - einfallsreich , Bögen En Ciel - epidiktisch

Production Country : Kenia

Production : Pana Film



[Watch] American Hustle Movie on Netflix 2013

[Watch] American Hustle Movie on Netflix 2013 American Hustle 2013-electric-feature-retrieved-2013-tiffany-American Hustle-flix-disney-Sonic...